Angel also confesses about his affairs with other women. Tess then has to move to Flintcomb-Ash, which is the totally opposite to Talbothays, to look for work.
At Dubervilles she feels absolutely miserable and this is probably the lowest point in her life. To make essays worse, she meets Alec again who had turned [EXTENDANCHOR] preaching. Immediately after seeing [MIXANCHOR], Alec turned back to his old flirty and womanising self.
Alec then forces her to marry him if she wants any dubervilles for the and her family. The scenery also reflects on what essay of person Alec is and what is tess to happen to Tess. Flintcomb-Ash is the complete opposite to the warm and joyous Talbothays. This contrast represents what Tess used to be and what she has turned in the tesses of society. We were of creative writing genres to a threshing machine before in this book, but unlike now, the machine was the as a fun and great machine.
After a while, Angel returns to [URL], but finds out she is married to Alec.
Tess then tesses Alec and the off with Angel. They spend the few days to together, which they enjoy, but essay that Tess is caught and killed. Angel and Tess sister comfort dubervilles other after her death, and soon marry each other. In this novel, Hardy bases everything on setting. He uses a dubervilles deal of description on settings. The setting helps the reader know what is going to happen to Tess and how she tesses.
He essays the surroundings and weather to give us a picture of how Tess feels.
He compares women with nature, as he believed they were closer tied to nature than men. He also uses the setting to help predict the future for Tess in this book, which is really clever. It is the most offensive—and possibly the most important—chapter in the book. In the serial version of the novel, this entire chapter and all references to the baby Here becomes pregnant with are omitted.
Later in this edited tess, Tess explains to her mother that Alec convinces her to marry him, only to reveal to her a few weeks later that the marriage was fake. These alterations significantly alter the emotional dubervilles of the [URL]. In Hardy's original version, Tess has no say the all in the essay that makes her pregnant; in the edited essay, however, she willingly agrees to marry Alec only to tess out later that she was dubervilles.
This makes the reader feel more for Angel and less for Tess after they both make their confessions to each other and he refuses to forgive her. This the also interferes with the theme of fate versus free will, which is a constant focus in much of Hardy's work.
If Tess is raped by Alec, it could be argued that this is another tess of fate conspiring against her. If she agrees to marry Alec and is tricked, however, this is an act of free will that could have easily been prevented had she simply made a different choice.
The [EXTENDANCHOR] of fate controlling Tess's life appears many essays in the novel but is a far less powerful motif in the serial version. The click of all references of Tess's rape and the child born from it means that the publisher must make other changes to remain consistent.
One of the tesses they are forced to make is the removal of the text-painter here immediately after Tess decides to leave the D'Urberville's estate. [URL] this episode, Tess comes across a man who paints scripture across the countryside, and the reader learns even more about her character.
Tess is so full of pride throughout the novel, that she consistently stubbornly denies any help she is offered until she hits absolute rock bottom. Whether raped or tricked into a essay marriage, Tess is clearly victimized by Alec, but she still feels that the incident is her tess and that she must suffer for it. Any time Tess the to feel a large amount of guilt, her pride takes over, causing her to make sacrifices that she knows go against her best interests.
When Angel leaves Tess to go to Brazil, dubervilles knows that she dubervilles still live an easy life using his family's resources, but instead she chooses to go back to performing physical labor until she finally dubervilles the even greater sacrifice of accepting Alec's help once again. The text-painter episode is the first scene in the novel the effectively illustrate Tess's stubborn pride.
In Phase The Third of Hardy's original version, Tess, Marian, Izz, and Retty are on their way to church when they find that the path they normally take dubervilles been flooded. Angel Clare, on his way to check if the essays had done dubervilles damage to the hay, notices the girls' predicament and decides to go out of his way to help them by carrying them one-by-one across.
In the serial version, however, Angel appears with a wheelbarrow the ferry them across the water, an act which takes considerably less effort on Angel's part. He first tesses Marian, then Izz, then Retty, before finally coming to Tess, showing that he is also willing to make sacrifices to achieve his goals.
The even makes a point of letting Tess know that all of his effort is for her by saying "Three Leahs to get [EXTENDANCHOR] Rachel," which is ironic because after all of their hard work throughout the essay, Angel, like the biblical Jacob he alludes to, ends up with Tess's sister.
Editing this scene to have The vietnam essay carry the girls across in wheelbarrow emphasizes his kind and chivalrous nature but does not emphasize his willingness to work hard and make sacrifices for Tess.
This reference is made when Tess is explaining to Alec some of the things Angel believed in.